The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

The poetry of W.B. Yeats is a great choice for higher interest/ability senior students. This worksheet will take 1-2 lessons to complete. It provides: a copy of the poem a comprehensive series of questions structured according to Bloom’s Taxonomy for easier differentiation a creative writing task which students can complete as homework

Ray Bradbury’s seminal novel is a perennial favourite for middle schoolers. These research tasks round out students’ knowledge of some of the important symbols and references in the novel: The Atomic Bomb Memory Phoenix Railroads Rivers The tasks can be given completed during the reading, as extension work for Gifted and Talented students, or as closure to a unit of study. Each task comprises four sections, following Bloom’s taxonomy, and requires students to complete: a piece of contextual research, a close reading of a nominated passage, a free-form writing at length, and a creative piece.

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. John Collier’s short satirical story has been successfully used with a Stage 4 / Year 8 class ( 13 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. These activities support Dio Genes’s recent short story ‘Emergency’, which is included in the purchase. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Genes’s speculative fiction about the harsh realities of emergency care for the poor has been successfully used with a Stage 5 / Year 10 class (16 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Dick’s comic short story has been successfully used with a Stage 5 / Year 9 class (14 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. O.Henry’s comic and touching short story has been successfully used with a Stage 5 / Year 9 class (14 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. McHugh’s comical story has been successfully used with a Stage 4 / Year 7 class (11-12 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. * A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Poe’s classic horror story has been successfully used with a Stage 5 / Year 10 class ( 15 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Ross’s very short horror story has been successfully used with a Stage 4 / Year 7 class ( 11-12 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Tanizaki’s classic horror story has been successfully used with a Stage 5 / Year 10 class ( 15 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Bierce’s classic story has been successfully used with a Stage 5 / Year 10 class (15 years).

Higher-order questions for each chapter of Orwell’s novel, and essay-style questions for each of Parts I, II, and III. Many of the chapter questions require close reading of a selected passage, and help students build a bank of quotes and concepts for essays.

This worksheet introduces students to an important element of poetry: symbolism. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains a one page-explanation of the device or technique at least two poems for easy differentiation writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions

This worksheet introduces students to an important element of poetry: rhyme and rhthym. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains a one page-explanation of the device or technique at least two poems for easy differentiation writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions

This worksheet introduces students to an important element of poetry: personification. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains a one page-explanation of the device or technique at least two poems for easy differentiation writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions

This worksheet introduces students to an important element of poetry: theme - in this case, cats and their relationships with men. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains a one page-explanation of the device or technique at least two poems for easy differentiation writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions

This worksheet introduces students to an important element of poetry: imagery. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains a one page-explanation of the device or technique at least two poems for easy differentiation writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions